He began his musical studies at Grenoble and then joined the Lyon National Music and Dance Conservatory.
Ensemble Founder and musician
He founded the formation “Percussion Clavier de Lyon” for which he was a member for 19 years and founded the formation Forum, led by Mark Foster. In 2006, he also created OrKestrÂ Percussion, a ensemble which gathered together the best percussionist studients of the Lyon Conservatory and who had the chance to play regularly in France and abroad an original repertory and music arrangements from P. Metheny, F. Zappa, I. Stravinsky, Y. Maresz, Oregon, King Crimson, Yes, Genesis, Gong. (Concerts in France , Italy, Croatia ... ) .
He was musician and composer in two new formations :
" Surfaces Strike " percussion duo with Sebastien Bonniau and " King Project " rock quintet , bass, drums , guitar, vibraphone and marimba with A.Terlizzi , G.Antonicelli , PJGaucher and S.Bonniau .
He worked for several years with major orchestras such as the Lyon National Orchestra, the Lyon Opéra’s National Orchestra, and during his studies, the European Community Orchestra. During these events, he had the opportunity to work with L. Bernstein, C. Abbado, A. Doraty, G. Ligety, M. Kagel, E. Gardiner, K. Nagano, D. Robertson, L. Slatkin ...
He taught for nine years at the Grenoble Conservatory. Since 2002 he is a percussion instructor at the Lyon Regional Conservatory.
He composed for varied sectors such as theatre, dance, cinema, solo percussion , instrumental music and choir. Many of his pieces were created by the Percussion à Clavier de Lyon who have made multiple records and edited some partitions. He wrote several times for orchestras such as Mix and The Big Note ( on musics of Frank Zappa ), Regional Orchestra of low-Normandy , or in various activities, such as concerto for multi- percussions and strings , created by Attilio Terlizzi . Many of these compositions were edited and most recently : a collection of small pieces for musical theater for diverse instruments and a piece for multi percussion and numeric audio music.
His new concerto for Marimba and Orchestra was created by Damien Petitjean with marimba and the Besançon Orchestra, under the direction of Jean François Verdier on October 2012, 9th and 10th.
Jean-Luc Rimey-Meille Signatures Models
Modern Touch - Medium
Direct sound, slightly rubber, allowing such «slapping» and rhythmic interpretation.
Ideal for current styles: rock, fusion...
These three models fall progressively just under the hardness of hard mallets and allow for an attenuation of the xylophone’s treble harmonics; they are highly adapted for music of the ragtime, galop, etc. type...
Ideal Mallets to play ragtime GH Green, heavy enough, they can have a round and deep sound while playing slightly. They can also be used in the high register of the marimba.
JLRM02 Semi-hard clear
These Mallets can have a full sound on all types of instruments, keyboards skins through the temples blocks. They are also fairly heavy.
JLRM03 Semi-hard brillant
Mallets approaching the hardness of the wood, they blur a little attack and are effective in ensemble to avoid slamming of wood against wood.
The sound is powerful and well designed, they are also versatile and can be used in multi percussion, on the glock for a celesta effect, on rattlesnakes and on the cencerros.